Chara

CultureWatch – Film Review

91CWFilmLatestPostUNTIMELY WITNESSING
von Trier’s Breaking the Waves, Still
film review by Maria Dasios

     Breaking the Waves is not a new film. Originally released in 1996, it has received substantial critical acclaim and courted significant controversy: cries of misogyny continue to dog Danish director Lars von Trier, as his proclivity to violently punish his female protagonists has demonstrated itself as enduring as it is difficult for audiences to endure. Less punishing, perhaps, than both of von Trier’s more recent offerings, Antichrist and Nymphomaniac I and II, Breaking the Waves might nevertheless appear a strange film to revisit in our current moment. In Toronto, the Jian Ghomeshi trial has just wrapped up. It is but one of many contemporary high profile cases precipitating a heightening of critical and popular discourse around issues of consent, the insidiousness of sexual violence, and institutionally and culturally sanctioned abuses of power. Today’s viewers and readers have become increasingly savvy at recognizing how systemic violence, thinly veiled, is embedded and reproduced in cultural products.

Pervasive misogyny (still) is increasingly being outed. So revisiting a film in which the sexual degradation of its female protagonist both ends in her death, and yields, concurrently, a dubious transcendence might thus appear… politically suspect, in poor taste, or at the very least, untimely. Why endure (still) a narrative in which both poles of the eternal feminine— virgin and whore—are transposed on a single figure who, as a good exemplum of both, suffers as both must?

Simply (and maddeningly): because watching the film both confirms the validity of these critiques and insists on what they miss. The story of a woman who sacrifices her life to save her love, Breaking the Waves (set off from the damning pattern of von Trier’s subsequent productions) does not present as gratuitous, callous, or trite. With minimal fuss (sparse dialogue, even sparser music, a hand-held camera, and a particularly commanding performance by Emily Watson in the lead), the film produces a powerful feeling. It is arresting and nuanced in its depiction of human relationships in a way that a caricature or cliché could not be, and it invites active, difficult witnessing rather than passive viewing.

Photo:  ©PUBLIC DOMAIN

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Featured Artist

91FeaturedArtistLatestOLIVIER ADAM a physicist, graduated from the Ecole Normale Supérieure in Paris, but through the years he became a photographer. He is now a freelance photographer and a teacher at a Paris photography school. For several years he has been studying the Tibetan culture and Buddhism. He has worked with Sofia Stril-Rever, Matthieu Ricard and Manuel Bauer on the book Kalachakra: un mandala pour la paix. Since 2008, he has been interested in the lives of the Tibetan nuns in exile. Daughters of Buddha is his series on the Buddhist female universe, supplemented by sounds and interviews collected by Dominique Butet.

dharmaeye.com/artists/olivier-adam/

Featured Poet

91FeaturedPoetLatestJOY LADIN is the author of seven books of poetry, including Impersonation, Lambda Literary Award finalist Transmigration, and Forward Fives award winner Coming to Life. Through the Door of Life: A Jewish Journey Between Genders, was a 2012 National Jewish Book Award finalist. Her work has been recognized with a Fulbright Scholarship and a 2016 National Endowment for the Arts Creative Non-Fiction Fellowship.

She holds the David and Ruth Gottesman Chair in English at Stern College of Yeshiva University, and has taught in the Graduate Program in Creative Writing at Sarah Lawrence College, Princeton University, Reed College and the University of Massachusetts at Amherst.

joyladin.wordpress.com/

Paul Weber: A Tribute 1951-2016

91PaulWeberLatestPostPaul Weber was an exceptional friend, guide, mentor, father, champion of all in hardship, seer of truths and flaws and beauty.

Paul was a complex soul of searing intelligence, unfathomable steadfastness, irreverent humor, and deep, abiding love. His clear blue eyes saw right through you, unflinching and solemn. And then the clouds would part, his face would soften, he’d tilt his head, and a conspiratorial smile would unfold. It was hard to look away from that face, so full of courage and solitude.

Though his focus was on the inner, he walked this world with fascination and finesse. He was educated at Yale and Columbia, and never stopped sharpening his intellect and acquiring knowledge. He was a natural athlete, playing and coaching soccer, hiking and skiing the Alps. As a young high school English teacher he wanted to roam the world with a book of poetry and a notebook in a rucksack. But his steel-trap mind and steely resolve landed in law school instead. As a corporate lawyer, he played the game expertly, yet redefined the rules with his integrity and generosity.

There is not room here to tell all the ways in which Paul was a teacher: in khaniqah, at work, in life. But perhaps these few scenes from his life might give us a glimpse of how he lived:

Here he is at the law office. Uncharacteristically, he’s leaving at noon. It’s December 23rd, and an important deal closes the morning of the 24th. By late afternoon the heat is on; the client’s lawyers want to know where he is and the junior partners are making excuses since they don’t know. At 8 p.m. he returns, brushes past them and works through the night. The deal closes on time. Years later it was discovered he had left to buy and deliver gifts to sick kids at St. Vincent’s Hospital.

He’s on a bus, lurching and inching through traffic. This could take all day. He’s going to a 1st birthday party and he’s got a small gift bag in his hand, pink tissue sticking out. He’s everyone’s family, and he shows up when someone needs him to be their only family.

Last March. He’s slowing down a bit. The tulips push up through the ground in Abingdon Square, and voices of children waft from the playground. On a bench, he sits in silence. The bench. Sitting for a moment after a lifetime of forward motion. Taking in warmth after a long winter. Shining like the sun.

The final snapshot: a starburst of light. He’s been lifted from his troublesome vessel. The vessel that he pushed and pushed to incredible lengths. He’s throwing rays, glinting this way and that, through each of us he’s ever touched. His love endures. His love inspires. His love can be found in the hearts of all who knew him. And in a toolbox, on the shelf, in the basement, of 306 W. 11th Street.

This tribute was compiled and written by Dani Kopoulos.

 

Other stories, memories and reflections about Paul can be shared on his memorial website:

http://nurejan5.wix.com/paul-weber

 

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Archives 90 – Winter Issue

90-Editors'NoteLatestIssueWebsiteFROM THE EDITORS

Editors’ Note
This, the 90th edition of SUFI, shines a light on how the skeins of human experience can untangle to reveal a glimpse of spiritual truth, and how they can be distilled to a living spiritual devotion as described by Alireza Nurbakhsh in his discourse on the Sufi term eradat. READ MORE

 

 

 

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90AngelEarthLastestIssueWebsiteDISCOURSE

12 Feb 2015, Kanchanaburi, Thailand --- A Buddhist monk plays with a tiger at the Wat Pa Luang Ta Bua, otherwise known as Tiger Temple, in Kanchanaburi province February 12, 2015. Thai officials last week raided the Buddhist temple that is home to more than 100 tigers and are currently conducting an investigation into suspected links to wildlife trafficking. Authorities from Thailand's Department of National Parks, Wildlife and Plant Conservation on Thursday checked 143 Bengal tigers living at the temple, and found them to be in good health. REUTERS/Athit Perawongmetha (THAILAND - Tags: ANIMALS RELIGION SOCIETY TPX IMAGES OF THE DAY) --- Image by © ATHIT PERAWONGMETHA/Reuters/Corbis

DEVOTION
by Alireza Nurbakhsh

ARTICLES

Exif_JPEG_PICTURE

TROUBLED WATERS
by Mark Nepo

90EdmondsonLatestIssueWebsiteLOSING THE NARRATIVE SELF
by Philip Edmondson

90GouldLatestIssueWebsite HASAN SIJZI OF DELHI
The Persian Ghazal
by Rebecca Gould

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90EdmondsonLastestIssueWebsiteINTERVIEWS

90FoxInterviewLatestIssueWebsiteTHE LIVING CHRIST AND CREATION SPIRITUALITY
Interview with Matthew Fox
interviewed by Joe Daoud Martin

90GregoryInterviewLatestIssueWebsiteSUFISM IN PRACTICE
Interview with a Sufi Shaykh
interviewed by Mary Gossy

CULTUREWATCH

90CWGibranInterview-LatestIssueWebsiteTHE PROPHET – KAHLIL GIBRAN FILM
Roger Allers in conversation
with Sholeh Johnston and Melissa Rothmann

 

90CWASPLatestIssueWebsiteOUT OF THE MELTING POT
The American Sufi Project
Sharib Khan and Dan Kurfirst in
conversation with Sholeh Johnston

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90GouldLatestIssueWebsite
CULTUREWATCH
BOOK REVIEWS

Inside the Miracle: Enduring
Suffering, Approaching Wholeness
by Mark Nepo
reviewed by David Paquiot

Memoirs of a Moth: The Life of Shaykh Tosun Al-Jerrahi
by Tosun Bayrak
reviewed by Jawid Mojaddedi

POETRY

SECRETS OF LOVE
by Dr. Javad Nurbakhsh

90SecretsofLovePoemLatestIssueWebsiteGAME OF HEARTS
by Roger Loff

THE ROAD FLOWS OVER A HILL
by Gunilla Norris

SOMETHING INSIDE
by John Wolf

GO! GO!
by Jeni Couzyn

FEATURED POET
Gunilla Norris

90FeaturePoetNorris-LatestIssueWebsite

FEATURED ARTIST
Rob Mulholland

90FeatureArtistMulhollandLatestIssueWebsite

 

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Print and digital subscriptions available. Buy SUFI now.

 

 

Issue 88 Featured Website Poet

FARRAH A. BOLVARDE

is a Computer Engineer who lives and works in Toronto, Canada.

 

SAMA

With souls engulfed and hidden
in Your love, this is our Sama  

We are ruined; what separation,
or union!? this is our Sama  

Dead to our desires, drenched
in blood and far from all, this is our Sama  

The twists and turns of this
world are nothing to us, this is our Sama  

Clinging to Your wings with hearts soaring
in your love, this is our Sama   

Mesmerized by Your beauty, with
only half a glance at the lifeless self, this is our Sama  

Wrapped in Your remembrance
with our every particle dancing in ecstasy, this is our Sama

FARRAH A. BOLVARDE

Issue 88 Featured Artist

Maimouna-Portrait3-lowresPATRIZIA MAïMOUNA GUERRESI

is an Italian-born multimedia artist working with photography, sculpture, video and installation, who lives between Verona, Milan and Dakar. In the early 1990s, Guerresi traveled to Africa, where she encountered Muslim culture, and eventually joined the Senegal Muridiyya Sufi order. Over the last two decades, her art has focused on empowering women and exhibiting a context of universal human values and conditions that is situated beyond psychological, cultural, and political borders. Maïmouna
has been extensively exhibited in solo and curated shows all over Europe, America, India, and the Middle East. maimounaguerresi.com.

Issue 88 Front Cover Artwork

Issue 88 Featured Poet

CONTRIBS_john_wolf lowresJOHN WOLF

writes and photographs from the western suburbs of Chicago. Since his initiation by Sant Kirpal Singh Ji Maharaj in 1971, he has practiced meditation and spirituality in the Sant Mat tradition. www.johnwolf.net

 

I Thought I Could Follow

In my innocence and naiveté
I thought I could follow
your flashing footsteps
over oceans and past moons.

I had many loves before
and a heart strong with trials
so when your face appeared
I was sure I could follow.

But you turned out to be a god
and your standard of faith so high.
Watching from the shore of eternity
I knew I could not follow.

Still, I am alive in your sea;
your love swims in my heart.
What can I do but want you.
What can I do but follow.

JOHN WOLF